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Archive for December 29th, 2007
You probably already know that I’m a horror movie buff. One of the classics of the genre is F. W. Murnau’s 1922 “Nosferatu, eine Symphonie des Grauens” ["Nosferatu, a Symphony of Horror"]. The film was ssentially an unauthorized film adaptation of Bram Stoker’s novel Dracula, and although character names and some plot details had been changed (Max Schreck starred as “Count Orlok,” not Count Dracula), Stoker’s widow sued the production company–and won. All prints were ordered destroyed, but thankfully some survived. (Wikipedia presents a decent summary of the film’s history.) Far from genteel or gentlemanly, Schreck’s undead count is arguably the most feral and beastly interpretation of this iconic character. Murnau’s film was mind-bogglingly re-imagined by Warner Herzog in 1979 as “Nosferatu: Phantom der Nacht” ["Nosferatu: Phantom of the Night"], this time with Stoker’s original character names and with Herzog’s “best fiend” Klaus Kinski in the Max Schreck role. Read the rest of this entry »
You probably already know that I’m a horror movie buff. One of the classics of the genre is F. W. Murnau’s 1922 “Nosferatu, eine Symphonie des Grauens” ["Nosferatu, a Symphony of Horror"]. The film was ssentially an unauthorized film adaptation of Bram Stoker’s novel Dracula, and although character names and some plot details had been changed (Max Schreck starred as “Count Orlok,” not Count Dracula), Stoker’s widow sued the production company–and won. All prints were ordered destroyed, but thankfully some survived. (Wikipedia presents a decent summary of the film’s history.) Far from genteel or gentlemanly, Schreck’s undead count is arguably the most feral and beastly interpretation of this iconic character. Murnau’s film was mind-bogglingly re-imagined by Warner Herzog in 1979 as “Nosferatu: Phantom der Nacht” ["Nosferatu: Phantom of the Night"], this time with Stoker’s original character names and with Herzog’s “best fiend” Klaus Kinski in the Max Schreck role. Read the rest of this entry »